New English Review
October 2020
Charing Cross Bridge, André Derain, 1906
Phares Lays Out the Big Foreign Policy Picture in ‘The Choice’
REBECCA BYNUM
Engaged by the Wicked
THEODORE DALRYMPLE
Ode to a German Friend
SAMUEL HUX
Racism as Absence
HOWARD S. SCHWARTZ
Books: What to Do?
JAMES COMO
An Oasis in a World Gone Clinical
DAVID SOLWAY
Strike Looms at Gray Lady (Or, Maybe Not)
EDWARD GROSSMAN
The End of English Liberty
MATTHEW WARDOUR
Statistics
RALPH BERRY
A Canticle for Liebowitz and Cyclical History
PEDRO BLAS GONZÁLEZ
Henry Miller and his “Clams”
GUIDO MINA di SOSPIRO
The Virus and the Dream of Recession Come True
ARMANDO SIMÓN
The Man in the Cloth Mask: Tales and Reflections
JEFF PLUDE
A Tale of Two Parties: Keir Starmer’s British Labour vs. Joe Biden’s and the Democrats
NORMAN BERDICHEVSKY
Classical Versus Jazz
ROBERT LEWIS
Things We Say But Don’t Mean
KENNETH FRANCIS
The Agony of Being Mental
CARL NELSON
Haunted Architecture
JOHN HENRY
Requiem for a Lightweight: RIP RBG
G. MURPHY DONOVAN
Frank Lloyd Wright vs. Andrea Palladio
JOHN HENRY
To See the World in a Grain of Sand: The Family, the National Community, and the Common Good
CHRISTOPHER GARBOWSKI
Riding Towards Us With A Vengeance
GEOFFREY CLARFIELD
Lionel Abrahams: A Voice for This Season
JILLIAN BECKER
STORIES & POETRY
An Urgent Diary Entry from Wang Yi, Regarding the Developing Situation with a Very Small Country
ANTHONY ATLAS
The Receptionist’s Smile
TRICIA WARREN
The Time Change
PETER GLASSMAN
Pip van Winkle Does Not Dream
ROBERT GEAR
Twin Towers AND Creation
KIRBY OLSON
Meditations on the Reflections of Seasons: The Grave
JUSTIN WONG
Solace AND A Sleeper’s Progress
JEFFREY BURGHAUSER
Four Poems
MICHAEL SHINDLER
Moving on the Earth
KEN CRAVEN
Poetic Workshop: First Draft
SCOT WALKER
Recipient of Mustard Seed AND Self-Rebuke
MICHAEL WILLIAMS
Beyond All Telling: A Mini Drama
EVELYN HOOVEN
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